I didn't hear or read much about The Good German, and hence was very pleasantly surprised after finally seeing it. This is Steven Soderbergh's WWII-era drama starring George Clooney and Kate Blanchett. It uses many stylistic devices of 1940's and 50's Hollywood films including, first and foremost, a black & white print. I wasted a good chunk of my childhood watching movies of this era on Seattle's KCPQ "Q-13" (I think they stopped filling their air-time with vintage movies right around the time I left; nearly 20 years ago). So it was kind of cool to see all those techniques and styles put to use again.
But, more importantly, it has a good plot. Set in Berlin right after the German surrender, it involves intrigue among various (and historically fairly accurate) factions: Americans who want to capture and prosecute Nazis, Americans who want to find the brightest rocket scientists to kick-start our own missile program, Russians who want to find them before we do, Germans who want to escape their complicity in Nazi war crimes, and Germans who want to cooperate and bring justice to those responsible. So given all the competing motives, you can imagine that a few plot twists are in order. Throw in a journalist just trying to get to the bottom of a story (Clooney), a corrupt Army sergeant (Tobey McGuire, his dopeyness is less out-of-place than usual here, given the actors that might have filled the role in a classic movie) and a possibly widowed German driven to prostitution (the aforementioned Blanchett) into the mix, and you have a plot that Hollywood would have loved sixty years ago.
But it still works today, and part of that is due to (no spoilers) working into the screenplay some of the actual historical facts that we have learned, namely the personal participation of German rocket scientists (including von Braun) at the slave labor camp where the V-2 was put into production. Struggle over direct evidence of such participation becomes a central plot-line providing additional drama with modern-day resonance.
